Entrusted with transforming Blige and cultivating her image as an artist, Combs, along with stylist Misa Hytlon-Brim, keyed in on her around-the-way girl tendencies and magnified them, outfitting Blige in street-approved designer wears, backward baseball caps, and baggy Girbaud jeans.
Earning her first credits singing background for Uptown artist Father MC, Blige’s career as a soloist stalled before being paired with Sean “Puffy” Combs, a hot-shot A&R with a stylish flair and a pulse on what was hot in the streets and the clubs. Unbeknownst to Blige, a demo of the performance would be passed along to Jeff Redd, an artist and A&R at Uptown Records, who was taken aback by Blige’s vocal prowess.įacilitating a meeting with label president and CEO Andre Harrell, Redd’s efforts resulted In Blige inking a deal in 1989, becoming the youngest act on the roster and its first female R&B artist. The course of Blige’s future would forever be altered following a visit to the Galleria Mall, in White Plains, New York, where she sang a cover of Anita Baker’s “Caught up in the Rapture” in a recording booth on a whim. However, her roots in the rough-and-tumble Schlobohm Houses and a lack of connections within the music industry made her chance at attaining a music career an unlikely one. Raised in Yonkers, New York, Blige discovered her talent as a singer at seven years old, honing her skills with performances for local residents, friends, and family.
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